It is a market night, and the streets will be a moving mass of men and women buying at the hucksters' stalls. Everything that can be sold at a stall is there: fruit, vegetables, meat, fish, crockery, tin-ware, children's clothing, cheap toys, boots, shoes, and sun-bonnets, all in reckless confusion. The vendors cry their wares in stentorian tones, vying with one another to produce excitement and induce patronage, while gas-jets are streaming into the air from the roofs and flaring from the sides of the stalls; children crying, children dancing to the strains of an accordion, children quarrelling, children scrambling for the refuse fruit. In the midst of this spectacle, this din and uproar, the women are chaffering and bargaining quite calmly, watching the scales to see that they get their full pennyworth or sixpennyworth of this or that. To the student of faces, of manners, of voices, of gestures; to the person who sees unwritten and unwritable stories in all these groups of men, women, and children, the scene reveals many things: some comedies, many tragedies, a few plain narratives (thank God!) and now and then—only now and then—a romance.

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