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IONITCH

- ANTON TCHEKHOV and and Translated by CONSTANCE GARNETT

The lid of the piano was raised and the music lying ready was opened. Ekaterina Ivanovna sat down and banged on the piano with both hands, and then banged again with all her might, and then again and again; her shoulders and bosom shook. She obstinately banged on the same notes, and it sounded as if she would not leave off until she had hammered the keys into the piano. The drawing-room was filled with the din; everything was resounding; the floor, the ceiling, the furniture.... Ekaterina Ivanovna was playing a difficult passage, interesting simply on account of its difficulty, long and monotonous, and Startsev, listening, pictured stones dropping down a steep hill and going on dropping, and he wished they would leave off dropping; and at the same time Ekaterina Ivanovna, rosy from the violent exercise, strong and vigorous, with a lock of hair falling over her forehead, attracted him very much. After the winter spent at Dyalizh among patients and peasants, to sit in a drawing-room, to watch this young, elegant, and, in all probability, pure creature, and to listen to these noisy, tedious but still cultured sounds, was so pleasant, so novel....

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