To the student of French history and character nothing the French have done in this war is surprising; nevertheless it seemed to me that I had a fresh revelation every day during my sojourn in France in the summer of 1916. Every woman of every class (with a few notable exceptions seen for the most part in the Ritz Hotel) was working at something or other: either in self-support, to relieve distress, or to supplement the efforts and expenditures of the Government (two billion francs a month); and it seemed that I never should see the last of those relief organizations of infinite variety known as "oeuvres."
Some of this work is positively creative, much is original, and all is practical and indispensable. As the most interesting of it centers in and radiates from certain personalities whom I had the good fortune to meet and to know as well as their days and mine would permit, it has seemed to me that the surest way of vivifying any account of the work itself is to make its pivot the central figure of the story. So I will begin with Madame Balli.

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